Interior Archviz Scene - HDRI Lighting Problem

[Swizl]

Does anybody have any tips on lighting interior architectural scenes with an HDRI? I have a few scenes that I pulled in from the SketchUp warehouse that have no windows / opening to the outside world. I know I can put lights in the scene, but how can I get the HDRI to show in these models without removing the ceiling? Most of the interior scenes I've done before, I've just removed the ceiling (or a wall behind the camera to let some light from the HDRI in). But it would be helpful if there was a better way.

Any help would be greatly appreciated. Thanks!

 

[BillG]

Have you tried putting a plane behind the camera with a photo, adding another copy of the same photo to the "emissivity" map, maybe even an HDRI photo (the real kind, not the fake tone mapped "goth" look "HDRs)?

 

[Swizl]

Have you tried putting a plane behind the camera with a photo, adding another copy of the same photo to the "emissivity" map, maybe even an HDRI photo (the real kind, not the fake tone mapped "goth" look "HDRs)?

Thanks for the reply Bill!

I've never tried that before. The only issue with that will be having to UV map the wall(s). I'll give it a try on a simple scene though and see how it works out.

 

[frank beckmann]

Oops - in essence you have a closed box with a camera inside and want it lit by a HDRI to render with Falcon? Is that correct?

Cheers
Frank

 

[Swizl]

Oops - in essence you have a closed box with a camera inside and want it lit by a HDRI to render with Falcon? Is that correct?

Cheers
Frank

Yes, that's it. Either Falcon or the Original C3d Renderer would do. This problem appears in any 3d app I've tested it in. So I don't know how people that do Archviz full time get around that issue when it arises? I tried searching Google and I can't find anything pertinent.

 

[frank beckmann]

I think that´s technically just not possible ( and logical - at least to me) for a room - let it be a cellar, bunker or dungeon. No single light source? Why HDRI when no window or at least a peephole is there?
With Cheetah renderer you can render with Ambient Occlusion without any light source.
But no HDRI-ray will make it inside.

Cheers
Frank

 

[Swizl]

I think that´s technically just not possible ( and logical - at least to me) for a room - let it be a cellar, bunker or dungeon. No single light source? Why HDRI when no window or at least a peephole is there?
With Cheetah renderer you can render with Ambient Occlusion without any light source.
But no HDRI-ray will make it inside.

Cheers
Frank

Ok, it makes sense. I just wasn't sure if there was another way to cheat using an HDRI. Since there isn't, I'll resort to either creating a hole and/or placing some lights in the scene.

Danke

 

[frank beckmann]

Wouldn´t it look weird to have say the sun/environment as a reflexion on a mirror or glass objects inside a closed box? Just asking.

Cheers
Frank

 

[Swizl]

Wouldn´t it look weird to have say the sun/environment as a reflexion on a mirror or glass objects inside a closed box? Just asking.

Cheers
Frank

Yeah, but I usually use a very unsaturated somewhat blurry studio HDRI for most of my stuff with a few strategic CG lights. Mostly they're close up renders on signage hanging on a wall or from a ceiling. The metal parts are all brushed Aluminum, so they don't have hard reflections either. But those issues you mentioned would be something to take in to consideration typically.

 

[frank beckmann]

Interesting idea though. Good luck with your project.
I was in the cellar in the meantime - some light there:

Cheers
Frank

 

[Swizl]

Ha ha yeah, thanks! Good luck down there.

Hoffentlich finden Sie im Keller ein schönes kühles Bier!

 

[frank beckmann]

That was the plan - but no luck.
Like to see what you come up with in the end.

Cheers
Frank

 

[Swizl]

Ok, I'm not sure if Martin has a problem with me posting this. I modeled it in C3d and then put the plant and computer props in from the Modo library. Then I rendered it there. I removed the ceiling on this one, but it was easier since the camera could be pointed down a little. I guess I can try removing the floor and rotating the HDRI if I need to render a ceiling mount sign. I haven't tried that before.

But this is the idea. Not great, but it should be ok for our catalog. Some of our big competitors have really bad ones, so I don't feel too bad.

 

[frank beckmann]

If you just have this kind of camera angle and close-ups you can delete everything except the floor maybe - no big deal. Is this just lit by a HDRI light source? I ask because of the shadows.
I really had something different in mind.

Cheers
Frank

 

[Swizl]

Yep, I'll see how it goes. All the backplates I tried hard to get the camera matches on, are mostly junk. A lot of the angles are terrible and then cropping in close just doesn't work. I tried doing render passes with much higher resolution and then composited them in Photoshop, but they still mostly look pretty terrible. So now I'm just going to try and set a bunch of different scenes up in all 3d. That way I can control the angle and finishes in the background.

What's in your mind is probably a magnitude greater than what I can create.

Edit:
Yes it's one HDRI and then two lights. A stock Directional Light and then one Area Light to the right to give the frame a highlight. Without the extra Area Light, the panel clip just disappeared into the frame and didn't look right.

 

[Swizl]

Wireframe shot.

 

[Hasdrubal]

It's probably the same Frank had in mind, but you could model an environment, with light sources, some fancy architecture, windows and stuff (and use there a HDRI if you want), render it as big HDRI, use the model as a prop to align your stuff to, make the room-prop invisible and render with the selfmade HDRI. That would be faster than rendering all those things for each product (and of course you could create some variants of the HDRI).

You still would need some furniture etc, of course. But camera matching wouldn't be that big a problem anymore. Just a thought if you need to show a bit more than the closeups.