Helmut
0
* As ZooHead points out above, having tidy uv-isolines almost guarantees a smooth surface. So, when tweaking points it seems useful to minimise any angles occurring in subsequent bands of the soundboard. Sticking as close as possible to a 180° transition and avoiding any zig-zaggy isolines appears to help.
* I guess that this makes sense, anyway, but I have not used lofted splines of this complexity in previous projects or experiments. Neither do I know what degree of adjustment is possible without altering the acustic performance of the instrument. As expected, a bit time consuming, but, as I mentioned, you can check the results in real time in the editor / view port.
* I guess that this makes sense, anyway, but I have not used lofted splines of this complexity in previous projects or experiments. Neither do I know what degree of adjustment is possible without altering the acustic performance of the instrument. As expected, a bit time consuming, but, as I mentioned, you can check the results in real time in the editor / view port.